I saw the first film twice to try and catch all that design work. I'll probably do the same with this one. I loved the rainbow palette this time around.
(I deleted my earlier comment because it was a bit spoilery.)
Originally shared by Jonathan Tweet Tonight, my "Lethal Damage" 13th Age campaign draws to a close. Meanwhile, the guys are work have talked me into running a couple D&D sessions for them. That was the day 13th Age was announced, and they're happy to play 13th Age instead. That will be my "Great Center" campaign, based in the imperial capital of Axis, the center of the world. It's my opportunity to explore the setting from yet another perspective.
From Voyageurs National Park on FB: Called “Catamaran” by locals, Bert Upton is among the strangest of historical characters on area waters. He lived in a hut built over a dug-out at Squirrel Narrows. Found frozen to death in the 1930s by Kettle Falls pioneer Oliver Knox; Upton was perched lifeless in the snow just a half-mile from his home. Shunning civilization, Upton defined the word hermit. First spotted rowing his crude log raft on Namakan, no one knows how he got there. Upton’s accent implied an English heritage but any personal inquiries brought a stony silence. Some suspected him a man fleeing the law; others saw a bizarre outcast; everyone knew he was peculiar. Just five feet tall and wildly unkempt, Catamaran wore hacked-off pants and walked barefoot with a stick. Winter demanded shoes but no socks, a cast-off Mackinaw, and a trailing cap made from the leg of old underwear. He was oddly religious, and suspicious of being poisoned. Surviving on snared rabbits and fish, he ofte...
Originally shared by Curt Thompson This is an interesting theory, but I notice the author has to omit one of the most important Heinlein novels to make it work. Time Enough For Love was written in the very early 70s and was a straight (heh) extrapolation of the chaotic and frenetic zeitgeist of that era. http://www.locusmag.com/Perspectives/2012/11/the-joke-is-on-us-the-two-careers-of-robert-a-heinlein/
And there was snow in the scene!
ReplyDeleteThe stiffest thing was Sly's face.
ReplyDeleteThe design on all the background characters was so good. Those robot girls were fantastic.
Yondu was a show stealer for sure.
I saw the first film twice to try and catch all that design work. I'll probably do the same with this one. I loved the rainbow palette this time around.
ReplyDelete(I deleted my earlier comment because it was a bit spoilery.)
The monster at the beginning had a rainbow breath weapon even.
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I was really hoping for a Tango and Cash reunion too!
see below.
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I can’t believe everyone kept a straight face for all the David Hasselhoff stuff. Never played for a joke. So great.
Hey wait, didn't Ace Ventura failed to save a raccoon in that Cliffhanger scene parody? Now THAT'S going all the way for a meta-textual reference.
ReplyDeleteDaniel Swensen Very nice. Y'all are doing a good job making me want to see this.
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